The record in the background is one with a driving rock, sort of punk sound, with vocal elements that echoes a sound nearly similar to that of the British rapper The Streets. Not too far away, a visual recording is taking place.
“Today, we’re kinda channeling a little carbon silicon – a little big audio dynamite.”
That is how Jade, who presents the weekday 10am-2pm CT program on 89.3 The Current, the music service of Minnesota Public Radio, begins to discuss one of their songs of the day this past week – TCR by the band Sleaford Mods. She was speaking to listeners and her followers on Twitter through a one minute video clip, microphone off as the record played on air.
— jade (@jadeisthename) January 3, 2017
Jade talks about the storytelling elements in this record, and though it may sound like its all about racing remote control cars, they use that to discuss the neighborhood they live in, as an element to tell that story.
After it is recorded, the clip is then tweeted by Jade, going out to listeners and music fans near and far.
Video has become an essential component into telling stories on Twitter, and to help journalists engage with audiences. Yet, it is not purely for storytelling, and can be used in a unique way to complement content, on-air or online.
Song of The Day had been a regular web feature for The Current, based at MPR’s headquarters in St. Paul, for a number of years. Jade began doing the videos regularly 6 months ago. She said that listeners were keen for the deeper connection that had been emphasized since its launch 12 years ago.
“Radio isn’t about the tone of voice anymore,” Jade said in a telephone interview. “There is another way people want to communicate.”
Brett Baldwin, the managing digital producer for music services at MPR, which encompasses The Current and its classical service, Classical MPR, said in a telephone interview that they had always been looking for ways to provide something tangible — something that audiences can engage with. Baldwin noted that half of the social media audience was not based in Minnesota, so the Song of the Day clips were a natural thing in terms of that engagement.
Jade said that there wanted to be an emphasis on interacting in a personal way – similar to a friend. She says it provided a more human experience.
“I’m the one most excited about video,” Jade said. “I try (and our digital team tries) to push it. Its an easy way to interact with our audience on a deeper level.”
— jade (@jadeisthename) January 6, 2017
In spite of The Current being a music station, there are takeaways for journalists, including the humanistic approach that Jade emphasizes in the videos. That comes from making something short and understandable and convey feelings.
Baldwin says that a humanistic approach can translate to better engagement with audiences.
“At the end of the day we get a deepened relationship with the audience,” Baldwin said.
Yet, The Current is also cautious when it comes to reporting key music stories. That came into play when the news came of the passing of Prince at his studios at Paisley Park in suburban Chanhassen. The station was cautious before running with anything, stating what they knew at the time.
Jade was on the air as the news was confirmed, as Andrea Swensson (who blogs for The Current and presents The Local Current show) was reporting from the estate. The station would then play Prince tracks non-stop for 26 hours to coincide with tributes being done across the Twin Cities.
Jade adds that as The Current was a part of Minnesota Public Radio, they could go back and forth with colleagues at MPR News when it came to broader coverage of the event.
In the end, however, The Current wants to emphasize authenticity. Jade says that if the videos were just about getting clicks, they wouldn’t be as well received.
“It’s about authenticity,” Jade said. “That’s what we try to aim for.”
After all, Baldwin says, authenticity is quintessential in keeping the audience relationship intact.
“Audiences are vital, “Baldwin said, adding that though platforms will change, The Current wants that audience relationship to be real, and to be about the music and its stories. “If they’re not here, we’re not here.”
Alex Veeneman, a Chicago based SPJ member, is SPJ’s Community Coordinator and a contributor to the SPJ blog network. He also is a member of SPJ’s Ethics Committee.
The views expressed in this blog post unless otherwise specified are that of the author’s, and do not necessarily reflect the views of the SPJ Digital Community, the board and staff of the Society of Professional Journalists, or its members.