TWITTER CHAT: Reddit For Journalists

Join SPJ Digital March 21, 2016 at 8 PM (Eastern Standard Time) for an hour-long Twitter chat about how journalists can use Reddit to enhance their audience, story arsenal and sources.
Reddit is the most valuable social media network for some journalists and the most frustrating for others. The difference lies in knowing how you make the discussions, sub-reddits and community work with you rather than against you.
Esther Schindler, a longtime tech industry journalist and coauthor of The Complete Idiot’s Guide to Twitter Marketing, has translated geek-talk into English since 1992. She loves to explain how technology can, indeed, improve the quality of life. Find her on Twitter at @estherschindler. Bring chocolate.
And bring both your questions about Reddit and your comments on the experience you have with the network.
This chat will also be a great way to introduce your colleagues to the SPJ Digital Community (and SPJ as a whole) so help us get the word out! It’s going to be a lively conversation and the knowledge you gain can help you use Reddit to gain sources — and use Reddit to gain more readers for your stories.
It’s simple and easy to take part: Just use the hashtag #SPJDigiChat on your message to join the conversation.

Ethics and authenticity

At NPR’s headquarters in Washington, two sets of keyboards, both connected to microphones, appear before a musician. He sits down and performs three tracks from his album – a performance that is as intimate as it gets, a performance that is powerful and can showcase talent.

His name is Sampha – a singer, songwriter and producer from south London who has come to DC for a Tiny Desk concert, part of the All Songs Considered series, and as it provided some very good background music as I made research calls today, it also made me think.

Although this is a performance, there is a lesson that can be taken from it for journalists – the ability to be authentic, amid the competition of being the first at everything.

In this age where social media has helped organizations disseminate news, information and other content, it has also been a more competitive environment. Who can get to Twitter the quickest with that exclusive or that first bit of new information? Who can I tell first about that story or that performance?

Its a tricky situation, because sometimes in the rush of getting it out there, some errors are made when it comes to information, or you feel because you wanted to be first you couldn’t do justice to the story you wanted to tell, or because that FOI officer with the government in San Diego didn’t respond to your request that an element of the story was missing. When all is said and done, you feel uneasy and concerned, wondering if you did your best work that day.

Allow me to say this: Breathe – it’s okay.

In this social media age, some emphasis has been made on likes for quantity, not quality. (Photo: Pixabay)

The Society’s Code of Ethics calls on journalists to seek truth and report it, that one should be responsible for the accuracy of the work, and that neither speed nor format excuses inaccuracy.

I think however in this social age it has become more than that. It is a reason to be authentic, to go in-depth, to do some uniquely awesome stuff for your audience.

Take these Tiny Desk concerts, for example – these concerts take time and precision. A performance cannot be rushed. A performance is a story, after all – you don’t want it to abruptly finish when clearly the storyteller has more to write or the performer has more to perform of the song.

You could also make the same argument for that interview on Fresh Air or that report you hear on All Things Considered or Morning Edition – stories and interviews that probe and provide context cannot be rushed, and shouldn’t end when there’s more to be seen.

There is room for these in-depth stories, and an appetite for them, whether its a long narrative in the New York Times, on NPR’s web site or in podcast form. Indeed, some of this in-depth stories recently helped NPR to achieve record audience figures.

Yet, in the world of in-depth stories, also exists is the world of deadlines – deadlines which must be met. Even if its a quick story you’re going to do, there still is an opportunity to be authentic. Ask yourself these questions:

  • What are some unanswered questions that come from it?
  • Is there an under-reported part of this story that can be incorporated? If it can’t be done immediately, can it be for a future story?
  • Is this angle just to help with space or time – or can it really help my audience understand the story better?

In this age of journalism, I favor stories that take time to tell – something that can go beyond what is reported daily. If that approach is taken, I know my audience will get something that is not just helping them understand the world around them, but I’m also offering something authentic.

So when you’re thinking about your story, take a step back. Think about the subject and the type of story you want to tell. Give yourself an excuse to go beyond the norm, and to experiment.

Then take the time to do it, channeling not just your role to seek truth and report it per the Ethics Code, but this – it is not only better to be right than be first, but to do something well instead of doing it at all.

Alex Veeneman, a Chicago based SPJ member, is a member of SPJ’s Ethics Committee and a contributor to the SPJ blog network. 

Outside of SPJ, Veeneman is a Managing Editor and contributing writer for Kettle Magazine, an online publication in the UK. You can interact with Veeneman on Twitter here.

The views expressed in this blog post unless otherwise specified are that of the author’s, and do not necessarily reflect the views of the SPJ Digital Community, the board and staff of the Society of Professional Journalists, or its members.


Women are the future

“The future of media looks like this.”

That is how a tweet from Josiah Ryan, a senior producer for CNN in New York, began when discussing the recent front page cover story on the network from The Hollywood Reporter.

Featuring the network’s chief executive, Jeff Zucker, and other journalists and personalities, including Jake Tapper, Anthony Bourdain, Casey Neistat and W. Kamau Bell, the story focused on the future of the network in the digital age.

The tweet however, became subject of rampant criticism from others in the industry as well as other Twitter users, notably for the absence of women on the front page, and the message the tweet sent in the replies.

The criticism also came as the tweet was shared.

This week, International Women’s Day is observed – a day to recognize the achievements and contributions women have made around the world, including in journalism. This also coincides with the celebration of Women’s History Month.

There has been a recent increase of women studying journalism, and indeed there are prominent women in digital journalism, including Katie Hawkins-Gaar at the Poynter Institute, Tory Starr and Raney Aronson-Rath at WGBH in Boston, Margaret Sullivan of the Washington Post, Tamara Keith and Sarah McCammon at NPR, Asma Khalid at WBUR in Boston, Meredith Artley at CNN (and the past president of the Online News Association) and Laura Davis at the University of Southern California, as well as the women whose tweets are quoted in this piece and others who work to keep this industry strong.

This also is the first year that the executive leadership at SPJ has been led by three women – President Lynn Walsh, President-Elect Rebecca Baker and Secretary-Treasurer Alex Tarquinio. Additionally, 14 of the 23 seats on SPJ’s Board of Directors are held by women, while of SPJ’s 9 committees, 4 of them have women listed as chairs or co-chairs. Also, in SPJ’s 5 active communities, 4 of them have women serving as chair or co-chair.

Indeed, SPJ members like Walsh, Baker, Tarquinio, Robyn Davis Sekula, Rachel McClelland, Kathryn Foxhall, Sarah Bauer Jackson, Elle Toussi, Dana Neuts and Dori Zinn, in addition to other SPJ members nationwide and those who work behind the scenes at its headquarters in Indianapolis, play significant roles in the development of the future of media.

All of these women have something in common. Every day, at their outlets, be it a broadcast outlet, a web site or a newspaper, they inform, educate and engage. They help the public make sense of events, and help the world cope better.

The future of media is something that will continued to be discussed, questioned, debated and dissected. Yet, there is something necessary to the future of this industry – women. Their ideas are quintessential to the development of the future. Their contributions allow journalism to be stronger, and they inspire me to help make journalism better.

The debates may continue, but one thing is for certain – women are the future of media, and we must never take them, their ideas or their contributions for granted – ever.

Alex Veeneman, a Chicago based SPJ member, is a member of SPJ’s Ethics Committee and a contributor to the SPJ blog network. 

Outside of SPJ, Veeneman is a Managing Editor and contributing writer for Kettle Magazine, an online publication in the UK. You can interact with Veeneman on Twitter here.

The views expressed in this blog post unless otherwise specified are that of the author’s, and do not necessarily reflect the views of the SPJ Digital Community, the board and staff of the Society of Professional Journalists, or its members.


Perspective: It’s important

Students at USC’s Annenberg School have reinforced the importance of perspective and ideas in the digital age. (Photo: Bobak Ha’Eri/Wikimedia Commons)

Last month, Laura Davis of the University of Southern California’s Annenberg School of Journalism curated a series written by her students about how products affect trust with news organizations.

Journalism, in all its forms, finds itself in a quandary as the digital age. Yet, it goes beyond the consumption of it – but how trust can be maintained and ethics can be preserved. We are in the midst of a significant conversation that will ultimately build how we go about work in this industry – and no angle or factor is spared.

This conversation also evolves those who are looking to pursue work in this industry. Everyone who seeks to come into this industry does so for the same reasons – to inform, educate and stimulate the public. The ways that the news is disseminated will evolve, but the goal, as the former public editor of The New York Times (now Washington Post media columnist) Margaret Sullivan put it, remains the same – a reason to be optimistic:

“What matters is the journalism, not the medium. It’s happening before our eyes, and while there’s clearly reason to worry, there’s reason to hope, too.”

If Davis, her colleagues at Annenberg and her students have done anything through this albeit brief project, it is the need for perspective. The ideas of those who will be the future of this industry are just as important as the ideas of those currently in it – for when all is said and done, these ideas can strengthen and bolster journalism, confirm its quintessential importance for our democracy, and give the reason for why our profession’s work is a necessity.

So thank you, Annenberg students, for sharing this insight. May you continue to do so, and may your teachers and professors encourage you to do so.

Along the way, may you encourage other journalism students to do just the same – for we’ll need your perspective, now, and in the years ahead.

Alex Veeneman, a Chicago based SPJ member, is a member of SPJ’s Ethics Committee and a contributor to the SPJ blog network. 

Outside of SPJ, Veeneman is a Managing Editor and contributing writer for Kettle Magazine, an online publication in the UK. You can interact with Veeneman on Twitter here.

The views expressed in this blog post unless otherwise specified are that of the author’s, and do not necessarily reflect the views of the SPJ Digital Community, the board and staff of the Society of Professional Journalists, or its members.


Just click subscribe

Remarks by President Trump have raised questions on the roles of journalists. (Photo: Gage Skidmore/Flickr)

In New York, in the lobby of the hall at the Graduate School of Journalism at Columbia University that bears his name, sits a plaque of a quote recorded in 1904 by the newspaper publisher Joseph Pulitzer. It says: “Our Republic and its press will rise or fall together.”

Its beginning is succinct, and is representative of American journalism’s role in a functioning democracy.

President Trump has brought the role of journalists and the media into question. Though conflict between politicians and the media is the globally established norm, journalism is entering new territory, as day after day the words fake news and post-truth become part of the English lexicon, either in print, in broadcast, or online.

Fake news, whether disagreeing with the content or publisher of an article, drives a negative connotation to those working in the industry. It also casts fear, doubt and anxiety among new career and student journalists. The events of the past week have added to that angst, from a press conference at the White House and interviews on Trump’s policies here and abroad with key advisers, to Trump’s tweets.

Journalists are synonymous with the foundations of democracy. The First Amendment is at the heart of this foundation. We are not enemies, we are citizens exactly like each ordinary citizen who gets up every day and do what they need to do. We enter this industry not to seek fame or fortune, but to benefit the common good by informing, engaging and stimulating our communities, our country and our world.

NPR host Steve Inskeep put it like this on Twitter.

We as journalists have a responsibility to ensure that the rights given to our fellow citizens continue – that the guaranteed freedom of the press does not fall dormant.

There’s a simple way to do that. Encourage your friends to subscribe to get a digital subscription of a newspaper, donate to your public TV or radio station, or buy a newspaper to have with a cup of morning coffee. You do it too.

Along the way, encourage the public to become SPJ supporters and show their support for quality journalism.

It may not be much, but the investment matters. The public isn’t investing in a brand or an organization when they subscribe – instead, they’re investing in their neighbors, classmates, colleagues, friends, spouses or family members. They’re also investing in their fellow citizens who get up and go to work knowing the only thing journalists answer to is truth.

I believe that if something is worth doing, you do it well. Good, ethical journalism cannot happen without members of the public. They call on us to seek truth and report it, to help them make sense of the world, and to help in their daily lives.

After all, as the famous editor C.P. Scott once said: “Comment is free, but facts are sacred.”

So this holiday weekend, take some time and illuminate the world for your fellow citizens. Encourage them to just click subscribe.

Alex Veeneman, a Chicago based SPJ member, is a member of SPJ’s Ethics Committee and a contributor to the SPJ blog network. 

Outside of SPJ, Veeneman is a Managing Editor and contributing writer for Kettle Magazine, an online publication in the UK. You can interact with Veeneman on Twitter here.

The views expressed in this blog post unless otherwise specified are that of the author’s, and do not necessarily reflect the views of the SPJ Digital Community, the board and staff of the Society of Professional Journalists, or its members.


Ethics: Twitter style

Twitter has become essential for journalists, but the ethics rules haven’t changed. (Photo: Pixabay)

In spite of financial concerns outlined last week where its stock prices fell 11 percent, Twitter continues to play a dominant role in the world of journalism. Whether its consuming news, disseminating information or gathering material for a story, Twitter has become ubiquitous with journalism, while journalism has become an essential component of the business of social media.

Yet, while Twitter is still one of those new platforms, it isn’t exempt from the rules and ever-evolving practices of ethical journalism. Journalists need to remember to practice these ethics on the social networking platform, in an age where accusations of fake news and post-truth have had connotations for journalists working on the web.

The Society’s Code of Ethics encourages journalists to practice journalism through these four key principles – Seek truth and report it, minimize harm, act independently, and be accountable and transparent.

That said, here are five things to consider when disseminating information on Twitter – with a twist, done in 140 characters each (or less).

Be accurate: Neither speed nor format excuses inaccuracy, so take the time to make sure all of your facts are right before you post.

Be forthright: Don’t know something? Trying to confirm the accuracy of information? Tell your audience. An honest tweeter is a credible tweeter.

Be cautious: Ask yourself: Is the information you post helpful to your story? Will it inform? Or are you tweeting for the sake of tweeting?

Be accountable: We make mistakes – we’re human. If something is wrong, fix it. Issue a correction and explain what you did. Be upfront.

Be accurate: It’s so nice its worth saying twice! Remember the old maxim – it is better to be right than to be first.

Twitter can be helpful for journalists, but also hinder them. Keeping these key points in mind, you can make Twitter work for you and do the most important thing possible – seek truth and report it.

Alex Veeneman, a Chicago based SPJ member, is a member of SPJ’s Ethics Committee and a contributor to the SPJ blog network. 

Outside of SPJ, Veeneman is a Managing Editor and contributing writer for Kettle Magazine, an online publication in the UK. You can interact with Veeneman on Twitter here.

The views expressed in this blog post unless otherwise specified are that of the author’s, and do not necessarily reflect the views of the SPJ Digital Community, the board and staff of the Society of Professional Journalists, or its members.


Twitter, authenticity and the audience

The record in the background is one with a driving rock, sort of punk sound, with vocal elements that echoes a sound nearly similar to that of the British rapper The Streets. Not too far away, a visual recording is taking place.

“Today, we’re kinda channeling a little carbon silicon – a little big audio dynamite.”

That is how Jade, who presents the weekday 10am-2pm CT program on 89.3 The Current, the music service of Minnesota Public Radio, begins to discuss one of their songs of the day this past week – TCR by the band Sleaford Mods. She was speaking to listeners and her followers on Twitter through a one minute video clip, microphone off as the record played on air.

Jade talks about the storytelling elements in this record, and though it may sound like its all about racing remote control cars, they use that to discuss the neighborhood they live in, as an element to tell that story.

After it is recorded, the clip is then tweeted by Jade, going out to listeners and music fans near and far.

Video has become an essential component into telling stories on Twitter, and to help journalists engage with audiences. Yet, it is not purely for storytelling, and can be used in a unique way to complement content, on-air or online.

Jade of Minnesota Public Radio’s 89.3 The Current says a humanistic approach can be helpful for journalists engaging with audiences. (Photo: Jay Gabler/MPR)

Song of The Day had been a regular web feature for The Current, based at MPR’s headquarters in St. Paul, for a number of years. Jade began doing the videos regularly 6 months ago. She said that listeners were keen for the deeper connection that had been emphasized since its launch 12 years ago.

“Radio isn’t about the tone of voice anymore,” Jade said in a telephone interview. “There is another way people want to communicate.”

Brett Baldwin, the managing digital producer for music services at MPR, which encompasses The Current and its classical service, Classical MPR, said in a telephone interview that they had always been looking for ways to provide something tangible — something that audiences can engage with. Baldwin noted that half of the social media audience was not based in Minnesota, so the Song of the Day clips were a natural thing in terms of that engagement.

Jade said that there wanted to be an emphasis on interacting in a personal way – similar to a friend. She says it provided a more human experience.

“I’m the one most excited about video,” Jade said. “I try (and our digital team tries) to push it. Its an easy way to interact with our audience on a deeper level.”

In spite of The Current being a music station, there are takeaways for journalists, including the humanistic approach that Jade emphasizes in the videos. That comes from making something short and understandable and convey feelings.

Baldwin says that a humanistic approach can translate to better engagement with audiences.

“At the end of the day we get a deepened relationship with the audience,” Baldwin said.

Yet, The Current is also cautious when it comes to reporting key music stories. That came into play when the news came of the passing of Prince at his studios at Paisley Park in suburban Chanhassen. The station was cautious before running with anything, stating what they knew at the time.

Jade was on the air as the news was confirmed, as Andrea Swensson (who blogs for The Current and presents The Local Current show) was reporting from the estate. The station would then play Prince tracks non-stop for 26 hours to coincide with tributes being done across the Twin Cities.

Jade adds that as The Current was a part of Minnesota Public Radio, they could go back and forth with colleagues at MPR News when it came to broader coverage of the event.

In the end, however, The Current wants to emphasize authenticity. Jade says that if the videos were just about getting clicks, they wouldn’t be as well received.

“It’s about authenticity,” Jade said. “That’s what we try to aim for.”

After all, Baldwin says, authenticity is quintessential in keeping the audience relationship intact.

“Audiences are vital, “Baldwin said, adding that though platforms will change, The Current wants that audience relationship to be real, and to be about the music and its stories. “If they’re not here, we’re not here.”

Alex Veeneman, a Chicago based SPJ member, is SPJ’s Community Coordinator and a contributor to the SPJ blog network. He also is a member of SPJ’s Ethics Committee.

Outside of SPJ, Veeneman is a Managing Editor and contributing writer for Kettle Magazine, an online publication in the UK. You can interact with Veeneman on Twitter here.

The views expressed in this blog post unless otherwise specified are that of the author’s, and do not necessarily reflect the views of the SPJ Digital Community, the board and staff of the Society of Professional Journalists, or its members.

 


An ethical resolution

Ethical journalism remains a quintessential part of society, and the SPJ Code of Ethics helps to reinforce it. (Image: Pixabay)

Journalism is in a quandary. As we prepare to say goodbye to 2016 and head into 2017, we do so with a challenge to the identity and culture of our profession. In light of the geopolitical headlines, notably with the recent US presidential election, we’re attempting to trace our next steps.

Writing in her column for the Society’s Quill magazine, SPJ national president Lynn Walsh says we have been challenged. Yet, in spite of it, there is opportunity abound.

“We, as journalists, have been challenged,” Walsh said. “And that means it’s our time to shine. We are not scum. We are not liars. We are not disgusting. We are not corrupt. We are professionals. We are protectors of the First Amendment. We are honest. We are compassionate.”

In this time of transition, it is a good time to stop, pause and reflect, and the SPJ Code of Ethics helps us to do just that. As I wrote over on the Generation J blog a couple of weeks earlier, it is a reminder of the principles of education, the quintessential component of journalism, the real reason why we seek to make careers for ourselves in this industry.

Yet, alongside its reminder for the need to educate, the Ethics Code reminds us of the simple principles that allows us to practice quality journalism — seek truth and report it, minimize harm, be accountable and transparent, and act independently.

With that in mind, here are some resolutions to keep in mind as we begin 2017.

Seek truth and report it: People still care about the facts. It isn’t about doing better than your competitor, but about informing and engaging the people that trust and come to you for information. Trust is sacrosanct, and to ensure it stays that way you must be meticulous with information. If you’re uncertain about something, check it. If you’re trying to confirm something, tell your audience that. Then pick up the phone and see what’s going on. It is better to be right about something and take the time to do it, than to say something and end up being wrong later.

Minimize harm: Every story as a pro and a con, and you have to consider what will best benefit the public’s interests, not your own. Consider the circumstances of an interview with an individual, and if it really helps your story. Avoid lurid curiosity, and be compassionate with others in their circumstances. Remember this line however most of all: “Pursuit of the news is not a license for arrogance or undue intrusiveness.”

Be accountable and transparent: We are humans, and like all humans, we make mistakes. We aren’t proud of them, but we make them. Remember always that if someone catches a mistake, acknowledge it, respond, and correct it. Keep the audience in the know about editorial conversations as it pertains to your story, and explain any decision making behind any story.

Act independently: Don’t be intimidated by a source. If you have a conflict of interest with a story, disclose it. Don’t pay for access to content to inform the public. Also, if you’re given something for free, refuse it, and consider the work you do outside of journalism, and ensure it doesn’t damage your credibility, integrity or impartiality.

The challenge that we have before us appears daunting. Though we don’t have the answers to all of the questions that are being asked in journalism, we have the opportunity to answer them. With the help of the Ethics Code, we can show the world why journalism continues to remain important, as it continues to evolve in the digital age.

We also can remind ourselves that it isn’t really about us, but instead the people who matter most of all — the audience.

Happy New Year to you and yours.

Alex Veeneman, a Chicago based SPJ member, is SPJ’s Community Coordinator and is a contributor to the SPJ blog network. He also is a member of SPJ’s Ethics Committee.

Outside of SPJ, Veeneman is a Managing Editor and contributing writer for Kettle Magazine, an online publication in the UK. You can interact with Veeneman on Twitter here.

The views expressed in this blog post unless otherwise specified are that of the author’s, and do not necessarily reflect the views of the Generation J Community, the board and staff of the Society of Professional Journalists, or its members.


Facebook’s live circle

Facebook’s live audio introduction can have an impact on the identity of broadcasters, including Minnesota Public Radio. (Photo: Tony Webster/Flickr under CC)

It started last year with Facebook Live as a way to boost engagement with live videos, be it a Q&A, analysis or reporting during a breaking news story. Now, Facebook has gone full circle with the introduction of live audio.

In an announcement, the social network said the move was an expansion of features on Live, after the introduction of Live 360, with publishers saying they were looking for new ways to go live. Initial partners in the initial launch include the BBC World Service and the book publisher HarperCollins, with a roll out to all of its users being scheduled for early next year.

Facebook has been noted in its abilities to aide audience engagement to journalists and new s organizations, so the introduction of live audio will likely help with that engagement and how stories are told, be it a story local in nature, or one with geopolitical connections. It will expand the reach of broadcasters, be it a local station in Seattle or the business program Marketplace.

Yet, it also raises a couple of questions as to the role and identity of broadcasters, especially public broadcasters, in the digital age, and to what level the content could complement their offerings on the radio. As audiences consume news and media besides the conventional print and broadcast methods, organizations have had to be creative in how these stories are told, with the ultimate goal to find the balance between engaging and informing, especially with younger audiences.

As they do, broadcasters are not simply broadcasters anymore – they are brands, and broadcasting is simply a part of the work that is done. Some have done well in adapting into the digital age, recognizing their obligation to produce quality, ethical journalism, while some have not.

While Facebook’s announcement has its pros for audience engagement, it also is forcing broadcasters to revolutionize their thinking in the digital age, to complement the work that is featured on some of the best mediums in the world, irrespective of subject area or beat.

But ultimately, no matter the content that is produced, broadcasters should have one consideration in mind – not to Facebook, nor the content that be considered viral successes, but to the people that will matter the most – their audience.

Alex Veeneman, a Chicago based SPJ member, is SPJ’s Community Coordinator and is a contributor to the SPJ blog network. He also is a member of SPJ’s Ethics Committee.

Outside of SPJ, Veeneman is a Managing Editor and contributing writer for Kettle Magazine, an online publication in the UK. You can interact with Veeneman on Twitter here.

The views expressed in this blog post unless otherwise specified are that of the author’s, and do not necessarily reflect the views of the SPJ Digital Community, the board and staff of the Society of Professional Journalists, or its members.


Twitter Chat: “Enhance Your Reporting 360 Degrees”

Join SPJ Digital Dec. 20, 2016 at 8 PM (Eastern Standard Time) for an hour-long chat about how to use 360-degree video to enhance your every day reporting. We’ll talk with four experts about tools, tips and best practices.

Search #SPJDigiChat on Twitter to join the conversation.

Meet the experts:

1.) BEN KREIMER  (@benkreimer)

As a journalism technologist, Ben Kreimer specializes in storytelling with drones, virtual reality, 360° video, 3D reconstructions, and open source hardware sensor platforms. He focuses on helping storytellers and mission-driven organizations leverage these emerging technologies for telling immersive stories and amplifying their work. Ben brought 360° video to BuzzFeed as the first fellow in their San Francisco based Open Lab, a media R&D space. He has co-produced many of BuzzFeed’s 360° videos, including their first, which has received over six million views. He is also an adviser for the Drone Journalism Lab and African skyCAM, and has worked with academic institutions and organizations including Columbia’s Tow Center for Digital Journalism, Times of India, CCTV Africa, VICE News, African Wildlife Foundation, SecondMuse, Australia’s Department of Foreign Affairs and Trade, and the Antiochia ad Cragum Archaeological Research Project in Turkey.
2.) MIKE REILLEY  (@journtoolbox)
Mike works with MediaShift.org in business development and also works as a Google News Lab trainer, teaching cutting-edge skills to journalists throughout the U.S.
In 2015 and 2016, Mike was the director of digital production and professor of practice at the Walter Cronkite School of Journalism at Arizona State University. He and his digital production students rebuilt, updated and produced multimedia, mobile stories and data visualizations for Cronkite News, the news division of Arizona PBS. His group also built the Carnegie-Knight News21 Weed Rush and Nicaragua: Channeling the Future sites.
He taught several classes over 6 1/2 years at DePaul University, including Reporting for Converged Newsrooms, Online Journalism I, Online Journalism II, Mobile Journalism, News Editing and Multiplatform News Editing. In winter 2011, he launched The Red Line Project with students in his Online Journalism II class. The site won many national and regional awards — including honors from ONA and Editor & Publisher — in its 4 1/2 years.
He also served as founder and faculty adviser the SPJ/ONA DePaul student organization. The group was named the 2013 and 2011 SPJ National Campus Chapter of the Year, Region 5 Campus Chapter of the Year and was DePaul University’s 2012 Outstanding Student Organization. Reilley was named DePaul’s Outstanding Faculty Adviser in 2012 and won SPJ’s David Eshelman Award for Outstanding Campus Adviser in 2013.
Mike is a former reporter and copy editor at the Los Angeles Times and was one of the founding editors of ChicagoTribune.com. He’s a former news editor at WashingtonPost.com and ran the 2000 Summer Olympics copy desk for AOL. Mike also founded the journalism research site, The Journalist’s Toolbox , that he sold to the Society of Professional Journalists in 2007 and continues to update for SPJ. He also blogged about the Chicago Bear for two seasons on the NFL Blog Blitz  site.
3.) LAKSHMI SARAH  AND MELISSA BOSWORTH (@TnyWrld)
Lakshmi Sarah is a multimedia journalist with a focus on South Asia, identity and the arts. Over the past few years she has worked with newspapers, radio and magazines from Gaborone, Botswana to Los Angeles, California. She has written and produced for Mic, Global Voices, Al Jazeera Online, AJ+, KQED and Fusion. She co-founded Tiny World Productions to focus on immersive video content.
Melissa Bosworth is a multimedia journalist and 360 video producer. In her work as a reporter, features writer, digital producer and videographer she has covered energy, the environment, technology and policy across the Americas and in Europe. She is co-founder of Tiny World Productions.
4.) ROBERT HERNANDEZ  @webjournalist

Robert Hernandez, aka WebJournalist, has made a name for himself as a journalist of the Web, not just on the Web. His primary focus is exploring and developing the intersection of technology and journalism – to empower people, inform reporting and storytelling, engage community, improve distribution and, whenever possible, enhance revenue. He is an Associate Professor of Professional Practice at USC Annenberg, but he’s not an academic… he’s more of a “hackademic” and specializes in “MacGyvering” Web journalism solutions. He connects dots and people. He has worked for seattletimes.com, SFGate.com, eXaminer.com, La Prensa Gráfica, among others. Hernandez is also the co-founder of #wjchat and co-creator of the Diversify Journalism Project. His most recent work includes Augmented Reality, Wearables/Google Glass and Virtual Reality — he and his students produce VR experiences under their brand: Jovrnalism. He serves on the Online News Association board and a lifetime member of the National Association of Hispanic Journalists. He is the recipient of SPJ’s 2015 Distinguished Teaching in Journalism Award. He has made it to imgur’s front page more than once.


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Society of Professional Journalists
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