Before I head out on any broadcast piece, my managers are always yelling this from the assignment desk. If you are not familiar with what a TVU is you should be. A TVU is a portable, wireless electronic news tool that allows you to broadcast from almost anywhere. In other words, it is a live truck shrunken down into a back pack that you can carry to remote areas.
There is no doubt a TVU makes you more mobile. You can go places where you can’t pull cable. Here is proof:
Last October, I stumbled upon breaking news with my photographer. A 50-plus car pileup on I-75 south near Sarasota. We jumped out, left our car and headed toward the heart of the accident. And, if you watch the video, you will see what ensued. We were live in the middle of the pileup and could walk viewers through the scene. Every other station that showed up was a mile away doing stagnant live shots from the shoulder of the road. Instead, we were walking, talking, showing and conducting live interviews. In the end, our coverage ended up winning us a National Headliner Award.
Below is another example. Typically, crews are left going live outside the airport … you usually have enough cable to get you close to the drop off area or arrival pickups. The TVU allowed me to retrace the man’s last steps in the airport.
There is no doubt TVU technology is in its infancy but its potential is astronomical. That being said, there are kinks that need to be worked out before we can say bye to live trucks. If you have ever worked on TVU, you know that your signal is dependent on wi-fi and cell towers. Sometimes in rural areas, maintaining a strong signal is impossible–and there goes your live shot.
Not to mention there is a 4-5 second delay. That means your producer must be on their feet and cue you early…then wait til your package is nearing its end and again cue you. Trust me when I say it can throw you off to work this way.
But, these are all minor issues. I believe the TVU is like the first form of a computer….fast forward a decade or two and now computers can fit in your back pocket. Without a doubt, TVU is here to stay and will only improve over time.
Jacqueline Ingles is a multimedia journalist for WFTS-TV, the ABC affiliate in Tampa, Florida. She specializes in crime and courts in Pinellas County. She writes, shoots, edits, and fronts her own work while doing also doing all of her own web work. Prior to WFTS, Jacqueline worked for almost three years at KXAN in Austin, Texas, as a one-woman-band MPJ. While in Texas, she covered the devastating drought and wildfires. Jacqueline’s work appeared numerous times on CNN during her time in Austin. Jacqueline also worked at WCTV’s Valdosta, Georgia, bureau and at MTV News as a political correspondent during President Barack Obama’s campaign. A native of Chicago, Jacqueline received a masters in broadcast journalism from the Medill School of Journalism at Northwestern University. She also graduated Summa Cum Laude from Loyola University-Chicago. She held two internships at WBBM and WLS in Chicago. Her print journalism work been published in the Northwest Indiana Times, Chicago Syndicate, Beep!, and the New Mexico Free Press.
There is the old saying that you can’t teach an old dog new tricks, but when is comes to journalism, there are always new tricks to learn.
Whether it comes in the form of different, more creative ways to say something or new tricks in editing audio or video; learning new things never hurts.
Here are five different things you can do to pick up new tricks:
1. Reading/Watching what others are doing: This one should be obvious, but alas, it is not. For print journalists, it is an simple as reading the newspaper and seeing how other journalists you admire write and structure their stories. For broadcast journalists, the same philosophy applies. Watching and listening how others work their stories is very beneficial.
2. Keep up with social media and online tools. I know some people may be tired of hearing about social media, but it does have its uses. My other GenJ colleagues have written past blog posts about social media tools to use, so I won’t go in-depth. Just scroll through past posts and you may get some ideas.
3. Participate in webinars. The Poynter Institute puts on great online training tools for journalists. ‘Nuff said.
4. Talk to friends in the profession to pick their brains about ideas and tips. Those talks are often invaluable.
5. Read books. I know I talked about reading earlier, but reading books written by journalists will help tremendously. Find a good author and enjoy the ride.
Ryan Broussard works as an intern at the Advocate in Baton Rouge where he covers crime and works general assignments on the weekend. He graduated from UL Lafayette with both his bachelor’s and master’s degrees. He has been an SPJ member 2006. Connect with him on Twitter, @ryanmbroussard.
Technology in the journalism world can be a fickle business. New tools are launching all the time, with Twitter’s Vine video app among the latest creations.
While some tools are mandatory for tech-savvy journalists, others launch big and die horribly. We’ve culled the graveyard of technology’s past for three tools journalists used that have bit the dust.
Note: Going with the “dead” theme of this post, each entry has a Ghostbusters reference.
Print
Egon Spengler said it best: “Print is dead.” That was never more the case than in 2013. Newspapers have had major layoffs and shut down completely. Entire websites have devoted to the topic, like Newspaperdeathwatch.com and Paper Cuts.
Yet some still have hope. Famed investor Warren Buffet recently bought the Tulsa World and Greensboro News & Record, according to the Poynter Institute.
Will print rise from the dead, even with tablet and smartphone users everywhere you look? Only time will tell.
Flip Video
This mini camcorder was so popular, Oprah Winfry used the tool to give her audience a back-stage pass to her show. Even Katie Couric used the camera to give a behind-the-scenes tour of the White House, according to the Huffington Post.
However, the tech was short lived. The New York Times reported in April 2011 that Cysco Systems shut down its Flip Video division.
It may have been short lived, but it was much more advanced than the camcorder Ray Stantz was lugging around in the New York Public Library.
Google Buzz
Remember when Google’s answer to Twitter was hyped all over the internet? According to Mashable, Google Buzz was first demo’ed in 2010. The company finally shut down the service in 2011, according to a Mashable article, to focus on Google+.
The social platform’s year of activity wasn’t without drama. The New York Times reported on Valentine’s Day, 2010 that Google issued an apology after users became concerned over privacy.
In the words of Peter Venkman, “Valentine’s Day – bummer.”
Rob McLean is a Digital Managing Editor with Hearst Television. He has been a member of the Society of Professional Journalists since 2010 and a member of the Online News Association since 2012. Interact on Twitter: @robertmclean.
I’ve always maintained that the hardest part of a journalist’s job is enterprising original stories. It’s even more difficult if you have to do it five days a week. I do not envy the reporters at my TV station.
Presenting new stories daily is part of their job description. I am a newscast producer, so I’m not expected to offer my own original story each day. I feel I do get another pass because I work overnights. Come on, who am I supposed to call at 3:00 a.m. to develop good stories? However, I like to contribute something here and there.
When I talk about original stories, I think of a few things:
1. It’s not from a press release
2. It’s a follow to a story that people might have forgotten about
3. It’s something no one else has even mentioned yet
Despite my work schedule, I do maintain a social life outside of work, especially when I wake up in the early evenings (you read that part right).
Recently, the Minnesota chapter of SPJ had a trivia night, and teamed up with the members of the Minnesota Public Relations Society of America. The first five minutes were tough; I didn’t know anybody and didn’t recognize anyone. I put my coat down near a group, and just said hello.
They were all PR folk. Minutes after the standard “where do you work, where are you from” questions, it was already time to announce the trivia teams. A trivia night was an excellent idea, because every team had a least one journo and one PR rep.
In between questions, our team learned more about each other, exchanged business cards, and had a good time (it helped that we took 2nd place). Afterwards, I caught up with the first group from that night, chatted more, and traded more cards.
I have at least three new story ideas from that night. Granted, look at who was there: PR reps. Their job is to GIVE you stories. It’s a match made in heaven. You need stories, they have ones they want you to cover.
I’m sure someone reading this will say, “those PR reps will send your newsroom a press release anyway, so why butter them up?” I argue that the personal connection with these people will give you an edge later. You’ve got a foot in the door and they’ll scratch your back a bit more. Your interaction with them gives them validation for what they are doing, and makes their efforts worthwhile. When you do something for someone, they’ll return the favor (at least, that’s the way it should be).
What I learned from that night is that an easy way to find good stories is to meet with the people who are ready to have a story to tell. Networking events (especially ones with PR) are packed with people who are trying to sell themselves. They WANT to talk to you.
Give them an ear, and see what you find.
Mike Brannen is a morning newscast producer for KSTP, the ABC affiliate in Minneapolis-St.Paul. Before that, he was a producer at KIRO7 in Seattle, where he led the 4:30 a.m. show to a #1 share in the U.S. He received an MA in Broadcast Management from the University of Missouri-Columbia in 2010 and received his Bachelor of Journalism degree the year before. He shares more about his life at mikebrannen.com and on Twitter: @MikeBrannen.
Yet young journalists continue to find jobs. Non-profit journalism organizations are hiring reporters and editors fresh out of J-School. Recently, I spoke with three of these non-profit journalists about their careers.
From left to right: Michael Todd, Managing Editor of Hear Nebraska (photo by Rob McLean), Rebecca Thiele, Radio Producer for WMUK (photo courtesy of Rebecca Thiele), Lauren Mills, Digital Analyst and Reporter for IowaWatch (photo courtesy of Lauren Mills)
Lauren Mills, Digital Analyst and Reporter at Iowa Watch
Lauren Mills turned a student job into a full time journalism gig.
She landed a reporting gig at IowaWatch after applying for a fellowship program with the organization– a website that dedicates itself to “producing and encouraging explanatory and investigative journalism in Iowa, engaging in collaborative reporting efforts with Iowa news organizations and educating journalism students.”
Mills started out as a student reporter, but moved up to web manager and assistant editor during her senior year. After a brief stint at the Sioux City Journal, Mills joined Iowa Watch as a digital analyst and reporter.
Aside from reporting, Mills has sit in on board meetings, where she said she gets an inside view on what the organization is doing in various areas. It also gives her insight into how the organization is coming along in funding.
The main difference between working at IowaWatch and a traditional newspaper, she said, is the length of journalism. She said IowaWatch is able to do long-form pieces, averaging one article per week.
Participation is also different, she said. Iowa Watch has a smaller staff than her old newspaper, she said, which lets everyone participate in every aspect of the process.
Michael Todd, Managing Editor of Hear Nebraska
Full disclosure: I’ve made a monetary donation to and have written a few articles forHear Nebraska, a non-profit music journalism website focusing on the Nebraska’s music scene. That’s how I came to meet its managing editor, Michael Todd.
Todd has been with HN since the organization’s early days. He said he really likes the creativity he’s allotted by the website’s co-founders, Andrew and Angie Norman.
“It’s just very open, productive and creative,” Todd said.
He met the Normans, after inviting them on a radio show he hosted on KRNU – the University of Nebraska’s student radio station. After the show, Todd said he applied for an internship with the organization and worked his way to managing editor.
Todd said he focuses most of his energy on producing editorial content, leaving development and conferring with the organization’s board of directors to the Normans. However, he has worked on fundraising initiatives for the site.
Pitching ideas for the website is relatively easy, Todd said. He said he isn’t sure that would be possible at a newspaper that is already established.
Rebecca Thiele, Radio Producer at WMUK
I met Rebecca Thiele while she was freelancing for Patch.com in the St. Louis area. I was a Local Editor, and she had written some news coverage for the site I managed.
Thiele graduated from the University of Missouri in May 2011. She said she was trying to find a job in radio, and the WMUK job looked attractive.
She said the organization is very good about keeping the news department separate from fundraising and other nonprofit aspects of the organization.
“When we need someone to do on-air fund drives, the news people are pretty much the last pick,” she said.
However, she’s not totally isolated from all aspects of the non-profit model. For instance, the show she produces has underwriting from the Richmond Center for Visual Arts – an organization on which she might report.
Thiele said when an opportunity to cover the organization arises, she asks herself if she would cover that story if the organization wasn’t underwriting the show. If the answer is yes, she pursues the story.
Rob McLean is a Digital Managing Editor with Hearst Television. He has been a member of the Society of Professional Journalists since 2010 and a member of the Online News Association since 2012. Interact on Twitter: @robertmclean.
Not a day goes by where I don’t here an intern say, “I want to make it to market one, New York!”
New York City, the number 1 market in the country
Broadcast news is comprised of 210 markets. Many newcomers to the industry look at anything 150+ as the bottom of the barrel. There seems to be a constant rush to make it a to a top 50, then make it to a top 20, then make it to a top 10 and if the broadcast Gods are happy, make it to network.Calm down budding broadcasters!
Glendive, MT, the number 210 market in the country
Many people overlook that it is not the market you work in but the news you cover. In my personal experience, no one wanted to work in my Valdosta, Georgia, bureau. Sure, we were connected to Tallahassee, market 105. In reality, we were market 140. But, guess what? In the year I spent there, we had six homicides in less than eight weeks, historic flooding and a horrific crash on I-75. Not one reporter in Tallahassee had those reporting opportunities and experiences. After one year, market 47 called and I was on my way to Austin, Texas.
Jacqueline Ingles reporting from scene of washed away road.
One of the markets I always like to point to is El Paso, Texas. A border city, for a long time it was ranked market 99. With the international news coverage opportunities, national stories including boarder wars, drug related issues, etc, those reporters and anchors are launching out of that market right into top 5 jobs. So, the next time you snub a low ranking market job, rethink it. Instead of looking at number, ask the following questions:
1) What types of news does the station cover?
2) Is there a variety where I can cover a lot of different topics on a daily basis?
3) Is there room for creative and storytelling or is more of a nuts and bolts market?
4) Is there room to push yourself and do stories you are passionate about?
As a one-woman-band, I knew I had to work harder than a two man crew. But, pounding pavement, thinking outside the box and creativity led me to an exclusive that left other stations in the dust.In other words, I was in a market that gave me opportunity. Opportunity and experience are what you should look for because as you rise in markets (which you will), the opportunities lessen and you are more tied to a specific role and a specific beat.
Jacqueline Ingles is a multimedia journalist for WFTS-TV, the ABC affiliate in Tampa, Florida. She specializes in crime and courts in Pinellas County. She writes, shoots, edits, and fronts her own work while doing also doing all of her own web work. Prior to WFTS, Jacqueline worked for almost three years at KXAN in Austin, Texas, as a one-woman-band MPJ. While in Texas, she covered the devastating drought and wildfires. Jacqueline’s work appeared numerous times on CNN during her time in Austin. Jacqueline also worked at WCTV’s Valdosta, Georgia, bureau and at MTV News as a political correspondent during President Barack Obama’s campaign. A native of Chicago, Jacqueline received a masters in broadcast journalism from the Medill School of Journalism at Northwestern University. She also graduated Summa Cum Laude from Loyola University-Chicago. She held two internships at WBBM and WLS in Chicago. Her print journalism work been published in the Northwest Indiana Times, Chicago Syndicate, Beep!, and the New Mexico Free Press.
It’s Friday night. You’re stuck at home while a blizzard terrorizes your neighborhood. Instead of vegging out to a “Downton Abbey” marathon or watching Gangnam Style baby dance videos on YouTube (I’m guilty of the latter), here are five productive things you can do as Nemo drops the white stuff—or any night of the week. Oh, and electricity is required.
1. Update your resume: It’s something you never get around to doing but needs to be done. Crack open your laptop and edit away. I actually did this tonight and I’m so glad it’s done. I added that fashion class I took last fall, the Gen J session I co-taught at the Excellence in Journalism conference in September, and I revamped my current job bullets.
2. Check out Ed2010.com: In the WhisperJobs™ section, there are several great gigs listed for entry-level journalists including a couple of paid internships at InStyle magazine in NYC and a freelance editorial assistant position at Parents magazine in NYC. This is a wonderful resource for journalists who are trying to get their feet in the door.
3. Download the language app Duolingo: Last weekend’s WSJ newspaper tipped me off to this cool, free app that helps you learn a language through fun games. I downloaded it on my iPhone earlier this week and I’ve been brushing up on the French that I learned in college. I’m surprised how fast it’s coming back to me. C’est incroyable!
4. Add five new connections on LinkedIn: Find some interesting people that you’d like to know or who work at cool places. When you request to link up with them, tell them why: “we have a mutual friend” or “I love the magazine you write for.” If they accept, you never know where that connection may lead. If they ignore your request, move on and add someone else.
5. Reach out to former co-workers: See how they’re doing in their new job and catch up on any office gossip they might have missed. I caught up with my ex co-worker last night to tell her about all the layoffs at Time Inc. last week (sigh!). Looking for a new job (as so many are now)? Your former co-workers are sometimes the BEST resource for job leads and your next assignment.
Jennifer Nicole Sullivan is a writer at Real Simple, a Time Inc. magazine in New York City. She’s also a fashion, arts and entertainment contributing writer for the weekly paper Newport Mercury in Newport, R.I., and a member of SPJ’s Generation J committee. And she’s still a Dallas girl! Follow her on Twitter @trendyjenny and check out her website jennifernicolesullivan.com.
I love my job because the four walls of my office aren’t these off-white pegboard walls, a former darkroom and a door frame with no door (I should install a saloon door, huh?) The real walls are the Nottoway River, State Route 288, Fort Pickett and the Surry County line.
Between those walls, almost everything is fair game for capture with my trusty Nikons for our newspaper, The Progress-Index.
It goes without saying that every day is different in journalism. Will I wind up triple-booked at 5 p.m.?
Am I under-dressed for a meeting with the governor? (Nah. That’s what the jacket in my car is for!) Will I go to bed pondering about the fate of a shooting victim?
Last week, I followed a farmer through fields of drought-stricken crops; donned a life vest and rode in a john boat to a national wildlife refuge to meet a group of high schoolers and science teachers on a week-long canoe trip; played paparazzi (a polite one, albeit) when a movie crew came to town; visited training units at the local army base, including soldiers loading a massive C-17 plane; spent an hour in 95-degree temps at a fatal accident scene; and let’s not forget the opening game of the big youth baseball tournament.
I enjoy the challenge of busy days and challenging myself on the slow ones. There are just so many stories these four walls hold.
Nikons in hand, Pat Kane covers the stories of the Tri-Cities of Virginia as multimedia editor of The (Petersburg) Progress-Index. Pat joined the Virginia Pro Chapter Board in 2008, stepping up to serve as chapter secretary the following year. After growing up all over the globe as a Navy brat, Pat graduated from Virginia Commonwealth University in 2007 after working four years at The Commonwealth Times. 140-character insights are available @kane804.
When it comes down to it, I love journalism because no two days are ever the same. As a journalist, you wake up every day not knowing what the day will bring, but you know it will be interesting. I am not the type of person who can sit in a cubicle all day, every day and partake in a monotonous life.
I get bored easily. Very easily.
After I decided that marine biology was not for me (it is not as glamorous at TV and movies make it out to be, trust me), I thought about what would interest me. After some careful thought (and a few beers), I decided on journalism and haven’t regretted the choice.
Journalism allows us to interact with everyday people in a different way than others can. We get to learn things and get access to things other people working normal jobs can never dream of. As a journalist, you get to talk to the movers and shakers that normal people only get to see on television or read about in your articles. Journalism is the dream job of the curious.
As I learned in my journalism classes in college, there are stories everywhere you look, you just have to know how to spot them. You have to be curious and inquisitive and as someone who looks for the meaning behind things, journalism is the perfect outlet for me.
Being in SPJ is great because professionals are always more than willing to share their experiences with students. Talking to various professionals, I often hear that one good thing about being a journalist is that when they go to social functions, they are often the most interesting person there.
And when people label you as an “interesting” person, then you know you have something going for you.
As a student who is about to graduate and is currently looking for a job, I know how difficult it can be to keep your enthusiasm while trying to find a good job, but you just have to keep trying. Do things like write a blog or try to find a freelancing gig to keep your skills sharp. Because once you find that right job for you, then you can turn that passion and curiosity into a paycheck.
And a paycheck always helps, because where else can you get paid for being curious?
Ryan Broussard is currently on his M.S. in Mass Communication with a concentration in Journalism at UL Lafayette. He graduated from UL Lafayette in Spring of 2009 with his B.A. in Mass Communication. He currently works as a freelancer covering high school sports for The Opelousas Daily World.
We have all heard celebrities during their Oscar acceptance speech say how lucky they are do to what they love. Those speeches always made me want to lose my lunch until I realized on a smaller scale, I feel the same way. It is not the glitz and glamor (both are non-existent in local tv news as a one-woman-band) that keeps me coming back for more.
This past week, I have been sitting in the media room at the Pinellas County Criminal Justice Center watching a murder trial via video feed a pool camera person is piping down four floors. The media room is a bunch of sad chairs, tables that have seen better days and a wall full of electrical outlets. But, it is the in between banter at the table among journalists and reporters from differing generations that reminded me why I love my job.
In this group, there is energy and passion. You can see it in the glare of an eye or the way one smiles over getting to be at events and seeing things unfold others won’t ever be privy to. We have encountered numerous instances in this case where the defense attorney has referenced his client’s underwear and the judge subsequently putting it on record that he could not believe underwear was being discussed in open court. Sounds cooky, no? It is something everyone of us here will remember and retell at a later gathering–oh and lets not forget most of us wrote about it in an online sidebar!
Reporters are like a secret fraternity and we all speak the same secret language. When one of our comrades reminisces about a judge that insisted he wore a cowboy hat during all trials in his courtroom or discovering a celibate man of the cloth was secretly married (both things I have heard this week), we feed off it, understand and impulse kicks in. Sometimes I think reporters are born and there is something in our DNA that is different than the rest of the world. Why else would we essentially be starving artists, shop the sale racks for our next on-air look, work odd hours, have tattered shoes, live states away from family and submit to a Ramon noodle budget? (more…)
